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p. 6, b. 46-70
p. 1
p. 2
p. 3
p. 4, b. 1-28
p. 5, b. 29-45
p. 6, b. 46-70
p. 7, b. 71-95
p. 8, b. 96-117
p. 9, b. 118-143
p. 10, b. 144-173
p. 11, b. 174-205
p. 12, b. 206-229
p. 13, b. 230-247
p. 14, b. 248-269
p. 15, b. 270-295
p. 16, b. 296-325
p. 17, b. 326-359
p. 18, b. 360-395
p. 19, b. 396-431
p. 20, b. 432-468
FE1 - First French edition
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
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EE1 - First English edition
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  b. 55

Wedge in FE (→EE)

Staccato dot in GE

A wedge instead of a staccato dot over the bass f is probably an inaccuracy of FE (→EE), since the vast majority of analogous places include a dot (cf. bars 63, 79, 231, 363, 372). Other bass notes in this section of the Rondo are also provided with dots. GE include a dot, yet it is a result of an arbitrary, routine change of all wedges to dots. There is a similar situation in bar 223.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3