Page: 
Source: 
p. 5, b. 29-45
p. 1
p. 2
p. 3
p. 4, b. 1-28
p. 5, b. 29-45
p. 6, b. 46-70
p. 7, b. 71-95
p. 8, b. 96-117
p. 9, b. 118-143
p. 10, b. 144-173
p. 11, b. 174-205
p. 12, b. 206-229
p. 13, b. 230-247
p. 14, b. 248-269
p. 15, b. 270-295
p. 16, b. 296-325
p. 17, b. 326-359
p. 18, b. 360-395
p. 19, b. 396-431
p. 20, b. 432-468
FE1 - First French edition
Main text
FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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copy link PDF FE1 - First French edition


  b. 33

e1-g1 third in FE (→GE,EE)

Chord suggested by the editors

The missing b on the 3rd semiquaver on the 2nd beat of the bar is probably an oversight of the engraver. It is indicated by:

  • the use of triads in all three pianistically analogous situations – on the 2nd and 4th beats of bar 31 and on the 4th beat of bar 33;
  • an important factor favouring a mistake – the note, if it was present in [A], was most probably written on the bottom stave, hence separated from the e1-gthird. Such situations would sometimes cause a note being overlooked while reproducing the manuscript – cf. e.g. the Sonata in B Minor, Op. 35, 1st mov., bar 3.

Due to this reason, we suggest adding that note in the main text.

Compare the passage in the sources »

category imprint: Editorial revisions

issues: Errors in FE

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3