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Issues : GE revisions
b. 164-166
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composition: Op. 16, Rondo in E♭ major
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The bass notes are provided with staccato dots both in strictly analogous bars 156-158 and similar bars 152-154 and 160-162. In this situation, the absence of dots in the discussed bars must be considered an oversight, since there is no doubt that the places are to be performed in the same manner (cf. similarly structured bars 456-471 in the 3rd mov. of the Concerto in E Minor, Op. 11). In GE, only the first dot was added, in bar 164. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 168-172
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composition: Op. 16, Rondo in E♭ major
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In the main text, we adopt the notation of crescendo of FE (→EE). In GE, the division into syllables and the dashes marking the range of the dynamic change were overlooked. category imprint: Differences between sources issues: GE revisions |
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b. 173
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composition: Op. 16, Rondo in E♭ major
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In FE (→EE1), there is no category imprint: Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in EE |
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b. 184-186
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composition: Op. 16, Rondo in E♭ major
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In GE, there are no dashes marking the range of crescendo, like in most of similar situations. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 185
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composition: Op. 16, Rondo in E♭ major
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In GE, a category imprint: Differences between sources issues: EE revisions , GE revisions |