Issues : Inaccuracies in GE
b. 344-346
|
composition: Op. 16, Rondo in E♭ major
..
The hairpins can only denote long accents in this context. Chopin's original markings may have been more or less extended in FE (→GE,EE). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
|||||
b. 360-368
|
composition: Op. 16, Rondo in E♭ major
..
In GE, is under the 4th quaver. It is an inaccuracy resulting from an inept layout of text – the last quaver is placed next to the bar line. There is a similar situation in bar 364 and 368 although in the latter the inaccurate placing of the marking cannot be explained by the layout. See also bars 384-385. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
|||||
b. 368
|
composition: Op. 16, Rondo in E♭ major
..
The lack of staccato dot for E is probably an oversight of the engraver of GE. category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
b. 383
|
composition: Op. 16, Rondo in E♭ major
..
In GE, the engraver added a staccato dot for a2. It is rather a result of inaccuracy than an intentional revision. category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
b. 384-385
|
composition: Op. 16, Rondo in E♭ major
..
In GE, the engraver overlooked staccato dots for the 1st quavers in the L.H. in these bars. category imprint: Differences between sources issues: Inaccuracies in GE |