Page: 
Source: 
p. 6, b. 85-97
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Articulation, Accents, Hairpins
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 93-94

No R.H. marks in FE (→EE,GE1)

Staccato dots in GE2 (→GE3)

The staccato dots added in GE2 (→GE3) cannot come from Chopin, although standardising articulation between the left and right hands in such a passage, led in parallel in both hands, may seem rational. However, the Polonaise contains a greater number of similar situations, e.g. in b. 26, 101, 229, 277, hence we try to limit such editorial additions to the situations in which there is an indication to assume that such actions are compliant with Chopin's intention (e.g. in b. 78).

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3