Page: 
Source: 
p. 3, b. 41-54
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Pedalling
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 46

No marking in FE

at end of bar in GE & EE

[] suggested by the editors

The missing  mark in FE must be considered an inaccuracy, since due to the harmonic change on the 3rd beat of the bar, one cannot repeat here the whole-bar pedalling from the two previous bars. Both GE and EE failed to notice this subtlety: in both cases a  mark was added at the end of the bar. In the main text we suggest releasing the pedal before the 3rd beat of the bar, as indicated by Chopin in analogous b. 42.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, No pedal release mark

notation: Pedalling

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3