mUltimate Chopin

Op. 22, Polonaise

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Page: 
Source: 
p. 15, b. 202-213
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 209

 simultaneously with chord in FE (→GE1,EE)

after chord in GE2 (→GE3)

Just like in b. 65, of which the discussed bar is a literal repetition, the shift of the  mark in GE2 (→GE3) is an arbitrary revision. See b. 25.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pedalling

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3
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