Issues : Rhythmic errors
b. 76
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composition: Op. 22, Polonaise
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In FE the dyad of the bottom voice (e1-a1) is a crotchet. The patent mistake was corrected both in GE and EE. The same in b. 220. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 95
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composition: Op. 22, Polonaise
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In FE the bar opens with a semiquaver in the R.H. and a quaver in the L.H. It is a mistake, yet it is unclear which value is correct:
category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 97
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composition: Op. 22, Polonaise
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In FE (→EE) the 1st rest in the parts of both hands is a demisemiquaver, which is a mistake (it is likely that the beginning of this bar was confused with the previous one). The mistake was corrected in GE. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE , GE revisions , Rhythmic errors , Errors repeated in EE |
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b. 151
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composition: Op. 22, Polonaise
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All sources feature a quaver at the beginning of the bar, as a result of which the bar includes 13 semiquavers. It cannot be excluded that the mistake was already in [A]. category imprint: Interpretations within context issues: Errors in FE , Rhythmic errors , Errors repeated in GE , Errors repeated in EE |
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b. 220
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composition: Op. 22, Polonaise
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Just like in b. 76, the dyad of the bottom voice (e1-a1) in FE is a crotchet. The patent mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |