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Issues : GE revisions
b. 126
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composition: Op. 22, Polonaise
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Just like in b. 125, the version of GE is an arbitrary decision of the engraver, repeated in EE2. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 128
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composition: Op. 22, Polonaise
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The fact that the version of FE (→EE1) is erroneous is proven by:
The change of this note to d was introduced in GE and – probably on the basis thereof – in EE2. The issue concerning the extension of this note – see the note above. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Terzverschreibung error , GE revisions |
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b. 130
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composition: Op. 22, Polonaise
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EE1 features the initial version of the 6th semiquaver, changed in the penultimate stage of proofreading of FE (→GE). The changes of the correction performed on the plate are clearly visible in FE. In addition, the changed note (b category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Main-line changes |
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b. 132
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composition: Op. 22, Polonaise
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FE (→GE) are lacking in the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions |
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b. 136-137
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composition: Op. 22, Polonaise
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We suggest adding a slur in the main text, which, as indicated by the comparison with three previous similar motifs, was most probably overlooked. In turn, there are no grounds to regard the versions of GE and EE, in which the 1st quaver in b. 137 was provided with a staccato mark, as authentic. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |