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Issues : GE revisions
b. 101
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composition: Op. 22, Polonaise
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The slur of FE must be inaccurate, since there is no substantive reason for it not to encompass the entire passage. In turn, it is easy to misinterpret the beginning of the slur in this layout, if – which is highly likely – the beginning of the slur in [A] did not go beyond the top stave (cf., e.g. the autograph of the Etude in F Major, Op. 10 No. 8, b. 16, 29, 65 or the Concerto in F Minor, Op. 21, I mov., b. 235). Due to this reason, in the main text we include the extended slur of GE and EE. A similar inaccuracy, although less significant, can be suspected at the end of this slur. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 121
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composition: Op. 22, Polonaise
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The missing staccato dot over a category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 124
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composition: Op. 22, Polonaise
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In FE (→GE1), there is not a single accidental under the octave sign. The patent inaccuracy – the preceding flats before d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 125
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composition: Op. 22, Polonaise
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The missing category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
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b. 125
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composition: Op. 22, Polonaise
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Semiquavers instead of small quavers are an arbitrary revision of GE. This inauthentic version was also introduced in EE2, most probably on the basis of comparison with GE1. The same in b. 126. category imprint: Differences between sources issues: EE revisions , GE revisions |