Pitch
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b. 98-100
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composition: Op. 22, Polonaise
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In FE (→GE1), there are no naturals before the 3rd L.H. note in b. 98 (b), the 14th R.H. note in b. 99 (b2) and the 3rd L.H. note in b. 100 (B). The patent inaccuracies were corrected in EE only in the first of these places, whereas in GE2 (→GE3) only in the L.H. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 101
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composition: Op. 22, Polonaise
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The version of EE2, in which the entire passage was standardised by changing the last note of the bar from g3 to f3, is an arbitrary revision, assuming a mistake in FE and in the remaining sources. However, the original version most probably does not contain a mistake – cf. similar actions in such passages in the Etude in C Major, Op. 10 No. 1, e.g. in b. 29. category imprint: Differences between sources issues: EE revisions |
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b. 102
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composition: Op. 22, Polonaise
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In the main text we omit the cautionary flats before the A category imprint: Editorial revisions |
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b. 103
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composition: Op. 22, Polonaise
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In EE the last semiquaver of the 1st beat of the bar is written down as F category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
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b. 105
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composition: Op. 22, Polonaise
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EE added cautionary naturals before the c-c1 octave. category imprint: Differences between sources issues: EE revisions |
1-A
. In the penultimate stage of proofreading of