mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description

Issues : Inaccuracies in FE

b. 171

composition: Op. 22, Polonaise

No marking in FE

 on 2nd beat in EE

 at end of bar in GE

[] suggested by the editors
..

Just like in b. 27, the missing  asterisk is almost certainly an inaccuracy; therefore, in the main text we add it after b. 169. The mark was added in EE as well as in GE2 (→GE3), although with a manifest error.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions

b. 201

composition: Op. 22, Polonaise

L.H. part in FE (→GE)

L.H. part & slur in EE

L.H. part suggested by the editors

L.H. part & slur suggested by the editors
..

Like in b. 57, the way the L.H. and the R.H. are aligned almost certainly suggests a mistake, since it results in harmonic discrepancy. Therefore, in the main text we arrange the L.H. part in accordance with the rhythmic values of the first two R.H. notes. In addition, in the main text we suggest adding a L.H. slur after a similar figure from the preceding bar as well as in b. 17-18. The slur was also added in EE, running from the first out of two semiquavers.

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE

b. 207

composition: Op. 22, Polonaise

 on 4th quaver in FE (→GE1,EE)

between quavers in GE2 (→GE3)

 on 3rd quaver suggested by the editors
..

Just like in b. 63, of which the discussed bar is a literal repetition, the  asterisk was placed a quaver too far in FE, which is probably a mistake. 

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , GE revisions

b. 217-218

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before b2 in b. 73. The accidental was already added in GE as well as in EE2. In addition, we add the flats (overlooked in FE) lowering c1 to c1 in b. 73 and c to c in b. 74. The former was added both in GE and EE, whereas the latter only in GE and EE2.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE

b. 219

composition: Op. 22, Polonaise

..

Just like in b. 75, the sources are lacking in the  raising b to b, which is a patent inaccuracy.

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE