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Op. 22, Polonaise

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b. 238

composition: Op. 22, Polonaise

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In the main text we omit the unnecessarily repeated  before f1 in the last L.H. chord.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 241-245

composition: Op. 22, Polonaise

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Just like in b. 225, FE are lacking in the  lowering c2 to c2. The patent inaccuracy was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 241

composition: Op. 22, Polonaise

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There is no  before the  mark at the end of the 1st half of the bar in FE. It may be a result of a misunderstanding related to the abridged notation of b. 241-260 in [A]. The mark was added in GE and EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , GE revisions

b. 241

composition: Op. 22, Polonaise

g-e1 in FE (→GE)

e-g-e1 in EE
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Nothing points to a possible authenticity of the version of EE. It is probably a revision by analogy with b. 261 or a mistake, e.g. an unfinished correction of the e-e1 octave – the correct g note was added, yet the erroneous e note was not removed.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 242

composition: Op. 22, Polonaise

Wedge in FE

Dot in GE & EE
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The version of GE is most probably a result of a revision, which, however, does not rule out the possibility that it could be compliant with Chopin's intention – see the note in b. 222.

category imprint: Differences between sources

issues: GE revisions , Wedges