Issues : Authentic corrections of FE
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b. 145-146
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composition: Op. 22, Polonaise
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The traces of removal of rests and demisemiquaver beams, visible in FE, show that every other semiquaver was initially a demisemiquaver preceded by a rest: category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Main-line changes |
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b. 161
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composition: Op. 22, Polonaise
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The version of EE is the initial variant of this place, corrected by Chopin in the penultimate stage of proofreading of FE (→GE). The layout of the first three small semiquavers reveals that in FE the second one was inserted in print between the first g1 and e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 164
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composition: Op. 22, Polonaise
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The absence of the tie of f in EE must be a mistake, perhaps repeated after a proof copy of FE not including the last corrections. category imprint: Differences between sources issues: Errors in EE , Authentic corrections of FE |
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b. 172
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composition: Op. 22, Polonaise
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The absence of category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 200
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composition: Op. 22, Polonaise
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In FE this bar is identical to b. 56. The version of EE and GE is most probably an earlier version of this place, changed by Chopin in the last stage of proofreading of FE. category imprint: Differences between sources issues: Authentic corrections of FE |
. In the corrected version, the variants of the rhythm including demisemiquavers are introduced gradually, which makes this sequence more varied and related to the harmonic changes.
2.
in 
