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Issues : Accidentals in different octaves
b. 144
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composition: Op. 22, Polonaise
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The sources are lacking in the category imprint: Interpretations within context issues: Accidentals in different octaves , Inaccuracies in FE |
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b. 150
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composition: Op. 22, Polonaise
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The flats in the second R.H. figure were added only in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves |
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b. 152
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composition: Op. 22, Polonaise
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In FE, there are no naturals before the bottom voice d1/2/3 notes. The last one is absolutely necessary; in spite of that, it was not added in any of the subsequent editions, in which the additions were limited to a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 155
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composition: Op. 22, Polonaise
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The demisemiquaver passage in FE (→GE1) is devoid of the accidentals present before the 1st chord (not counting the octave sign) – the naturals of a1 and a2 and the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 156
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composition: Op. 22, Polonaise
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FE (→GE1) are lacking in the naturals before the a1 and a2 demisemiquavers. The latter was added in EE, whereas both – in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |