![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in GE
b. 78
|
composition: Op. 22, Polonaise
..
Due to the graphic retouches performed in this fragment of the page, GE1a overlooked the demisemiquaver R.H. beams on the 2nd beat of the bar, as a result of which it contains 5 semiquavers. Similarly, the e category imprint: Interpretations within context; Differences between sources |
|||||
b. 78
|
composition: Op. 22, Polonaise
..
Due to the graphic retouches performed in this fragment of the page, GE1a overlooked the slurs over the last two pairs of octaves in the ascending L.H. sequence. See the description of this impression. category imprint: Differences between sources |
|||||
b. 83
|
composition: Op. 22, Polonaise
..
The missing wedge in GE is most probably the engraver's oversight. category imprint: Differences between sources issues: Errors in GE |
|||||
b. 85
|
composition: Op. 22, Polonaise
..
The absence of the first category imprint: Differences between sources issues: Errors in GE |
|||||
b. 94
|
composition: Op. 22, Polonaise
..
The missing tie of G is most probably a mistake of the engraver of GE. category imprint: Differences between sources issues: Errors in GE |