Issues : EE revisions
|
b. 228
|
composition: Op. 22, Polonaise
..
Just like in b. 224, the cautionary flats before a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
|||||
|
b. 234
|
composition: Op. 22, Polonaise
..
The missing dots in FE (→GE) are most probably a mistake of the engraver of FE – the marks are present in the three remaining analogous bars, b. 233 and 253-254 (another possibility – probably less likely – the corresponding marks could have been added at the time of proofreading of FE in b. 254). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
|||||
|
b. 237
|
composition: Op. 22, Polonaise
..
In FE (→GE), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
|||||
|
b. 241-245
|
composition: Op. 22, Polonaise
..
Just like in b. 225, FE are lacking in the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
|||||
|
b. 241
|
composition: Op. 22, Polonaise
..
There is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
1 and b
before a
restoring g2 on the 8th semiquaver. The patent mistake was corrected in 
before the 
mark at the end of the 1st half of the bar in