Issues : GE revisions
b. 209
|
composition: Op. 22, Polonaise
..
Just like in b. 65, of which the discussed bar is a literal repetition, the shift of the mark in GE2 (→GE3) is an arbitrary revision. See b. 25. category imprint: Differences between sources issues: GE revisions |
|||||
b. 216
|
composition: Op. 22, Polonaise
..
Just like in b. 72, in the main text we suggest adding a asterisk in accordance with the harmonic content. The mark was also added in EE and GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
|||||
b. 217-218
|
composition: Op. 22, Polonaise
..
In the main text we add a cautionary before b2 in b. 73. The accidental was already added in GE as well as in EE2. In addition, we add the flats (overlooked in FE) lowering c1 to c1 in b. 73 and c to c in b. 74. The former was added both in GE and EE, whereas the latter only in GE and EE2. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE |
|||||
b. 220
|
composition: Op. 22, Polonaise
..
Just like in b. 76, the dyad of the bottom voice (e1-a1) in FE is a crotchet. The patent mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
|||||
b. 222
|
composition: Op. 22, Polonaise
..
The change of the wedge to a staccato dot is probably a revision of GE, in which the wedge, absent both in the preceding R.H. and L.H. figures and in the identical figure in b. 226, was considered a mistake. Indeed, a mistake of the engraver of FE at the time of interpreting [A] cannot be ruled out; however, since the repetition of this fragment (b. 242) is also provided with a wedge in FE, we keep this version, probably authentic. category imprint: Differences between sources issues: GE revisions , Wedges |