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b. 57
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composition: Op. 22, Polonaise
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Just like in b. 19, we consider the missing slur over the accompanying L.H. figure to be Chopin's oversight; in the main text we suggest a slur modelled after b. 17-18 and 56. A slur was also added in EE, yet, contrary to b. 19, it does not encompass the 1st quaver of the bar. See the next note. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 58
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composition: Op. 22, Polonaise
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In the main text we add the tied f quaver on the 3rd beat of the bar by analogy to b. 20 and 164. category imprint: Editorial revisions |
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b. 58
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composition: Op. 22, Polonaise
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In the main text we suggest adding pedalling markings after analogous b. 20 and 164. category imprint: Editorial revisions |
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b. 59-60
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composition: Op. 22, Polonaise
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EE1 is lacking in the accidentals before the last semiquaver in b. 59 and the 4th note of the quintuplet in b. 60. These are patent mistakes – cf. the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , Authentic corrections of FE , Errors repeated in EE |
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b. 61
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composition: Op. 22, Polonaise
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FE (→GE,EE) are lacking in the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |