Articulation, Accents, Hairpins
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b. 224
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composition: Op. 22, Polonaise
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In the main text we suggest adding an accent at the beginning of this bar. The accent is present in all three repetitions of this bar (in b. 228, 244 and 248), and, according to us, it is the composer's inadvertence or a mistake of the engraver of FE that are the most likely reasons for the absence of an accent in the discussed bar. category imprint: Editorial revisions |
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b. 224
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composition: Op. 22, Polonaise
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In the main text we add staccato dots under the last two quavers after analogous b. 228 and 248. There is a similar situation in b. 244. category imprint: Editorial revisions |
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b. 234
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composition: Op. 22, Polonaise
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The missing dots in FE (→GE) are most probably a mistake of the engraver of FE – the marks are present in the three remaining analogous bars, b. 233 and 253-254 (another possibility – probably less likely – the corresponding marks could have been added at the time of proofreading of FE in b. 254). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 242
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composition: Op. 22, Polonaise
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The version of GE is most probably a result of a revision, which, however, does not rule out the possibility that it could be compliant with Chopin's intention – see the note in b. 222. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 243
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composition: Op. 22, Polonaise
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Just like in b. 223, in the main text we suggest adding an accent at the beginning of this bar after b. 227 and 247. category imprint: Editorial revisions |
