Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 22, Polonaise
In FE (→GE) a 
was repeated before g
2, the top note of the third on the 2nd beat of the bar, which suggests that in spite of the practical, one-part notation, Chopin led two separate voices in his mind (it is more frequent to encounter overlooked signs due to this reason, e.g. in b. 152 or in the Etude in G
Minor, Op. 25 No. 6, b. 12). In EE this additional accidental is present only just on the 3rd beat of the bar.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions
issues: EE revisions, Cautionary accidentals
notation: Pitch
