mUltimate Chopin

Op. 22, Polonaise

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b. 243

composition: Op. 22, Polonaise

No mark in FE (→GE,EE)

Accent suggested by the editors
..

Just like in b. 223, in the main text we suggest adding an accent at the beginning of this bar after b. 227 and 247.

category imprint: Editorial revisions

b. 243-247

composition: Op. 22, Polonaise

e1-a1 in FE (→GE) & EE2

e1-a1 in EE1
..

Just like in b. 223 and 227, the version of EE1 in b. 243 and 247 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a1 to a1 was added in both bars in the penultimate stage of proofreading of FE (→GE). The correction was also introduced in EE2.

category imprint: Differences between sources

issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign

b. 244

composition: Op. 22, Polonaise

No marks in FE (→GE,EE)

Staccato dots suggested by the editors
..

Just like in b. 224, in the main text we add staccato dots under the last two quavers after analogous b. 228 and 248.

category imprint: Editorial revisions

b. 244-248

composition: Op. 22, Polonaise

..

EE1 is lacking in the cautionary flats before a1 in the L.H. crotchet chord and before b1, the 4th R.H. semiquaver. The accidentals were added in the penultimate stage of proofreading of FE (→GE) as well as in EE2. In the main text we also add a  before a1, the 2nd R.H. semiquaver. Cf. b. 243.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , Authentic corrections of FE

b. 249-250

composition: Op. 22, Polonaise

..

In the main text we omit the reminder flats before a1 in the last chord of each of these bars.

category imprint: Editorial revisions

issues: Cautionary accidentals