b. 192
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composition: Op. 22, Polonaise
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The 1st note written in the treble clef in GE is an erroneous d2 instead of b1. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 195-196
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composition: Op. 22, Polonaise
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Like in b. 51-52, of which the discussed bars are a literal repetition, the slurs overlooked in FE were added in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 195-197
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composition: Op. 22, Polonaise
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Like in b. 51-53, of which the discussed bars are a literal repetition, the staccato dot under the bass B1 note is present in FE (→GE) only the first time (in b. 51). In the main text we add the two remaining dots. The marks were also added in EE, yet the dots were arbitrarily changed to wedges. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 197-198
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composition: Op. 22, Polonaise
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Similarly as in b. 53-54, of which the discussed bars are a literal repetition, in the main text we suggest a [] mark, closing the pedal from the beginning of b. 197. The asterisk was also added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 198
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composition: Op. 22, Polonaise
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Just like in b. 54, of which the discussed bar is a literal repetition, in the main text we add an arpeggio mark before the L.H. chord. The mark was also added in GE. category imprint: Differences between sources; Editorial revisions issues: GE revisions |