mUltimate Chopin

Op. 22, Polonaise

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b. 257

composition: Op. 22, Polonaise

..

In the main text we add cautionary flats before e1 and a1. The accidentals were also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 258

composition: Op. 22, Polonaise

..

In the main text we omit the  before f1 in the last L.H. chord, unnecessarily repeated in FE (→GE). In EE this accidental is absent due to the layout – the 2nd half of the bar is printed in a new line, as a result of which all three accidentals from the beginning of the bar were repeated before the 3rd chord.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals

b. 261-263

composition: Op. 22, Polonaise

Flats b1 & b in FE (→GE,EE)

5 cautionary accidentals suggested by editors
..

In the entire three-bar chromatic sequence, in the main text we suggest a few cautionary accidentals in the R.H. part –  of g in b. 261,  of a1 in b. 262 and  of e1 and  of f1, g1 in b. 263. In turn, we omit the flats before b1 and b in b. 262 present in the sources.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 263

composition: Op. 22, Polonaise

..

FE are lacking in the  raising a to a, which is a patent mistake, corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 264

composition: Op. 22, Polonaise

No indication in FE (→GE)

Tutti in EE

[Tutti] suggested by the editors
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In the main text we suggest adding the indication Tutti (as well as Solo in b. 265). It was also added in EE. The same applies to b. 268-269.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions