mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 234

composition: Op. 22, Polonaise

No marks in FE (→GE)

Staccato dots in EE
..

The missing dots in FE (→GE) are most probably a mistake of the engraver of FE – the marks are present in the three remaining analogous bars, b. 233 and 253-254 (another possibility – probably less likely – the corresponding marks could have been added at the time of proofreading of FE in b. 254).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 235-236

composition: Op. 22, Polonaise

..

In the main text we omit the cautionary  before a, the 4th L.H. quaver in b. 235, present in all sources. In turn, we add a  before g1 at the beginning of b. 236.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 236

composition: Op. 22, Polonaise

..

We add a cautionary  before b2 in the main text.

category imprint: Editorial revisions

b. 237

composition: Op. 22, Polonaise

..

In FE (→GE), there is no  restoring g2 on the 8th semiquaver. The patent mistake was corrected in EE. In addition, none of the sources includes the  restoring b2 on the 15th semiquaver.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE

b. 237

composition: Op. 22, Polonaise

..

In the main text we add cautionary flats before e1 and a1.

category imprint: Editorial revisions