Issues : GE revisions
b. 12
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composition: Op. 22, Andante spianato category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 15
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composition: Op. 22, Andante spianato
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In the 2nd half of the bar the L.H. semiquavers are arranged in FE in a way that the last one falls already under f3 in the R.H. The inaccuracy was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 17
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composition: Op. 22, Andante spianato
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In the main text we keep the notation of FE (→EE); however, it cannot be ruled out that it is GE1 that guessed Chopin's intention correctly. The engraver of FE could have shortened the slur due to the collision with the word loco, ending the octave sign. On the other hand, the slurs in the remaining runs also reach only the last of the group of small quavers. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 19
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composition: Op. 22, Andante spianato
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The change of the wedge to a dot is a manifestation of a sui generis aversion of the engravers of GE to wedges, which were replaced with dots or omitted on a number of occasions (e.g. in b. 52 and in many places in the Polonaise). category imprint: Differences between sources issues: GE revisions |
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b. 20
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composition: Op. 22, Andante spianato category imprint: Differences between sources issues: EE revisions , GE revisions |