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Issues : Authentic corrections of FE
b. 10-11
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composition: Op. 22, Andante spianato
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It is unclear how the difference between FE and EE occurred. The shape of the slur in FE indicates its possible proofreading, yet there are no visible traces that would allow us to guess the original version. It could have been the longer slur of EE; however, it is likely that the slur of EE is unrelated to the proofreading of FE and is a result of a mistake or revision. category imprint: Differences between sources issues: EE inaccuracies , Authentic corrections of FE |
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b. 36-37
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composition: Op. 22, Andante spianato
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The missing category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Errors in EE , GE revisions , Authentic corrections of FE |
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b. 48
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composition: Op. 22, Andante spianato
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EE include the original version of this place, completed by Chopin in the last phase of proofreading of FE (→GE): in FE in the place of the grace note there is a trace of removal of the category imprint: Editorial revisions; Corrections & alterations issues: Authentic corrections of FE |
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b. 53
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composition: Op. 22, Andante spianato
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The missing Chopinesque fingering in EE may indicate that it was added in the last phase of proofreading of FE. The digits were added in EE2 most probably on the basis of the finished FE or GE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 67
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composition: Op. 22, Andante spianato
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The presence of dolce in EE may be explained by a revision, in this case not based on a comparison with an analogous place. It is also likely that it is an authentic, earlier indication, removed in FE (→EE) in the last phase of proofreading. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |