mUltimate Chopin

Op. 22, Andante spianato

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 28

composition: Op. 22, Andante spianato

 to c3 in FE (→EE)

to end of bar in GE
..

The extension of the  hairpin in GE is probably a routine adjustment of a mark to the bar.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 29

composition: Op. 22, Andante spianato

Fingering written into FED

No teaching fingering
..

We interpret the unclear mark written in pencil under the 3rd semiquaver as a twice written fingering digit, 1.

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 29

composition: Op. 22, Andante spianato

..

In the main text we add cautionary sharps before F, f and f2.

category imprint: Editorial revisions

b. 29-31

composition: Op. 22, Andante spianato

Long accents in FE (→GE1)

Short accents in EE & GE2 (→GE3)
..

According to us, the accents in FE (→GE1) are to be interpreted as long. In turn, EE and GE2 (→GE3) interpreted them as short.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Inaccuracies in GE , EE inaccuracies

b. 32

composition: Op. 22, Andante spianato

..

GE overlooked pedalling in this bar, which is a patent mistake.

category imprint: Differences between sources

issues: Errors in GE