mUltimate Chopin

Op. 19, Bolero

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Page: 
Source: 
p. 8, b. 159-173
p. 1, b. 1-27
p. 2, b. 28-60
p. 3, b. 61-87
p. 4, b. 88-105
p. 5, b. 106-124
p. 6, b. 125-142
p. 7, b. 143-158
p. 8, b. 159-173
p. 9, b. 174-188
p. 10, b. 189-206
p. 11, b. 207-225
p. 12, b. 226-243
p. 13, b. 244-260
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 162

c1 in FE (→GE,EE)

a suggested by the editors

The version of FE (→GE,EE) is most probably erroneous – in the entire section encompassing bars 156-157, the 3rd quaver in analogous figures in the L.H. is always an a. An additional argument supporting a is the presence of c1 on the 2nd semiquaver in the R.H., being the resolution of the last d1 from the previous bar.

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE

notation: Pitch

Missing markers on sources: FE1, FEO, FES, FESf, GE1, EE1, EE2, EE3
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