mUltimate Chopin

Op. 19, Bolero

Text Compare Notes Sources Description
Page: 
Source: 
p. 9, b. 174-188
p. 1, b. 1-27
p. 2, b. 28-60
p. 3, b. 61-87
p. 4, b. 88-105
p. 5, b. 106-124
p. 6, b. 125-142
p. 7, b. 143-158
p. 8, b. 159-173
p. 9, b. 174-188
p. 10, b. 189-206
p. 11, b. 207-225
p. 12, b. 226-243
p. 13, b. 244-260
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Undo Clear
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  b. 187

There is a  over the trill in FE (→EE). It would make sense only if the trilled note were a c2, which is almost certainly erroneous in this case. Therefore, the sign was most probably added by the reviser of FE in the last phase of proofreading, since the  was not included in GE. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions

notation: Pitch

Missing markers on sources: FE1, FEO, FES, FESf, GE1, EE1, EE2, EE3
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