Page: 
Source: 
p. 13, b. 244-260
p. 1, b. 1-27
p. 2, b. 28-60
p. 3, b. 61-87
p. 4, b. 88-105
p. 5, b. 106-124
p. 6, b. 125-142
p. 7, b. 143-158
p. 8, b. 159-173
p. 9, b. 174-188
p. 10, b. 189-206
p. 11, b. 207-225
p. 12, b. 226-243
p. 13, b. 244-260
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FEO - Orda copy
FES - Stirling copy
FESf - Schiffmacher copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
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  b. 247

 

 

It is difficult to unequivocally prove where the difference between the pitch of the 3rd quaver in the accompaniment in FE (→EE) and GE came from. Both sources do not reveal any explicit traces of corrections. We assume that it is most likely that Chopin corrected the original (perhaps even erroneous) version of FE in GE. However, the evidence is inconclusive, hence we add a variant of the base source, FE, to the main text.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections of GE

notation: Pitch

Missing markers on sources: FE1, FEO, FES, FESf, GE1, EE1, EE2, EE3