



b. 148-152
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composition: Op. 19, Bolero category imprint: Editorial revisions |
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b. 150
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composition: Op. 19, Bolero
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The version of FE (→EE1) with c category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE |
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b. 154-155
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composition: Op. 19, Bolero
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category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 157
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composition: Op. 19, Bolero
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We place the semiquaver ending the bar over the last note of the triplet of the accompaniment, in accordance with the rule to which Chopin adhered his entire life. In FE (→GE→EE), the semiquaver is placed after the 3rd note of the triplet, most probably due to the unfamiliarity with the Chopinesque habit – the Bolero is the first (and only) piece by Chopin issued by this French publisher. Similarly, in bar 163. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE |
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b. 160
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composition: Op. 19, Bolero
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We adopt a Chopinesque fingering written in pencil in FES to the main text. The last two digits are also in FEO. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |