Page: 
Source: 
p. 15, b. 367-398
p. 1, b. 1-32
p. 2, b. 33-69
p. 3, b. 70-92
p. 4, b. 93-112
p. 5, b. 113-136
p. 6, b. 137-170
p. 7, b. 171-195
p. 8, b. 196-220
p. 9, b. 221-240
p. 10, b. 241-260
p. 11, b. 261-280
p. 12, b. 281-308
p. 13, b. 309-334
p. 14, b. 335-366
p. 15, b. 367-398
p. 16, b. 399-424
p. 17, b. 425-445
p. 18, b. 446-466
p. 19, b. 467-487
p. 20, b. 488-514
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
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Important
Main
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  b. 384-385

Slurs in A

Slurs in GE

Slurs in FE (→EE)

In the main text we give the slurs of A, which do not raise any doubts concerning both the sources and music. However, the version of GE may be considered at least to be equal:

  • an inaccuracy consisting in engraving a slur incompatible with the division into bars or groups is something practically unusual in GE1, which, in spite of the lack of visible traces of corrections, makes Chopin's proofreading highly likely. The proofreading of the slurs can also be indicated by the slurring of FE (→EE), perhaps reproducing the state of GE1 from before the last phase of proofreading;
  • Chopin wrote such a system of slurs in analogous bars 40-41.

The arguments for the adoption of the notation of A are as follows:

  • a legible, unequivocal notation;
  • no dynamic markings in these bars, emphasising the beginning of the ascending passage – cf.   in bars 40-41. A shorter slur of A suggests that a new thought begins in bar 385, which compensates this deficiency to a certain extent.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, Authentic corrections of GE

notation: Slurs

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3