Page: 
Source: 
p. 12, b. 400-431
p. 1
p. 2, b. 1-32
p. 3, b. 33-86
p. 4, b. 87-118
p. 5, b. 119-168
p. 6, b. 169-206
p. 7, b. 207-236
p. 8, b. 237-267
p. 9, b. 268-302
p. 10, b. 303-346
p. 11, b. 347-399
p. 12, b. 400-431
p. 13, b. 432-457
p. 14, b. 458-482
p. 15, b. 483-514
p. 16
GE1 - First German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF GE1 - First German edition


  b. 420-421

Slurs in A (contextual interpretation) & GE2

Slurs in GE1 (→FEEE)

In A bar 420 is the last one on the page, whereas the slur written with a flourish clearly indicates continuation in the next bar. However, there is no ending of this slur in bar 421, which could have reassured the engraver of GE1 of his whole-bar approach (moreover, the traces of corrections visible in bars 420 and 421 suggest that each of these bars was initially encompassed with one slur; the erroneous division of the slur at the beginning of bar 421 was then corrected – perhaps by Chopin – to the version compliant with A). In GE2, Chopin's intention contained in A was reproduced correctly.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccurate slurs in A, GE revisions, Corrected slurs of Op. 21 in GE1

notation: Slurs

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3