Page: 
Source: 
p. 3, b. 33-86
p. 1
p. 2, b. 1-32
p. 3, b. 33-86
p. 4, b. 87-119
p. 5, b. 120-168
p. 6, b. 169-206
p. 7, b. 207-236
p. 8, b. 237-269
p. 9, b. 270-310
p. 10, b. 311-350
p. 11, b. 351-391
p. 12, b. 392-429
p. 13, b. 430-457
p. 14, b. 458-482
p. 15, b. 483-514
p. 16
GE2 - Second German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
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copy link PDF GE2 - Second German edition


  b. 53-55

Ties to c2 in A (→GE)

Slurs g1-a1 in FE (→EE)

In GE1, the ties of c2 were reproduced literally, as short, horizontal, little ties preceding the c2 crotchets at the beginning of bars 54 and 55. The notation was misunderstood in FE (→EE), by assigning the curved lines to the bottom notes of chords, g1-a1. In GE2 the ties of A were interpreted in accordance with their meaning. A similar misunderstanding concerning the Chopinesque tie can also be seen in bars 55-56.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, GE revisions

notation: Rhythm

Missing markers on sources: A, Morch, GE1, GE1a, GE2, FE1, FE2, FED, FEJ, FES, EE1, EE2, EE3