Issues : Accompaniment changes
b. 75
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give G introduced by Chopin in the proofreading of FE (→EE). FE1 overlooked a before this note, which was then added in FE2. category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Accompaniment changes , Authentic corrections of FE |
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b. 243-244
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composition: Op. 21, Concerto in F minor, Mvt III
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There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A: category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE |
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b. 317-318
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composition: Op. 21, Concerto in F minor, Mvt III
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In Morch Chopin shortened the value of the g-e1-b1 chord in violins and violas to a crotchet – originally, it lasted almost two bars, same as the bass note of the C-c chord, held by cellos and double basses. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
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A more accurate specification of the unexpected B7 chord in the solo part already at the beginning of the bar must be a Chopinesque improvement introduced in the proofreading of FE (→EE). It is already a second change in this bar with respect to the earliest preserved version, after the rhythmic diversification – see the adjacent note. category imprint: Differences between sources |
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b. 366
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composition: Op. 21, Concerto in F minor, Mvt III
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Both the change introduced in GE1 and the one in FE definitely come from Chopin who was looking for the smartest connection of this bar with the following one, as far as the piano skills and harmony are concerned. At the same time, he most probably wanted to emphasise the chromatic movement of the bass, hence the arbitrary version of EE2 certainly does not correspond to his intention. The last crotchet in bar 368 underwent the same transformation, which excludes a possibility of a mistake in both versions. category imprint: Differences between sources issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE |