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Issues : Inaccurate slurs in A
b. 52-53
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur of A is most probably inaccurate, since there is no reason to separate the last note of the phrase, played by the wind quartet and provided with one continuous slur in Morch. Therefore, in the main text we suggest a slur corresponding to the phrasing written in the parts of violin I and clarinet I in Morch. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A |
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b. 54-57
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give the slur of A, interpreted in a way not contrary to the notation and compliant with the natural phrasing resulting from the instrumentation. A similar solution was adopted in GE2, taking into account the literal interpretation of the slur. The authenticity of the remaining versions seems to be questionable; it is only in the case of GE1 that one can assume a misunderstanding at the time of performing Chopin's possible proofreading – hence suggestions of alternative solutions. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 101
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composition: Op. 21, Concerto in F minor, Mvt III
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It is uncertain which articulation for the 2nd crotchet in the bar Chopin envisioned. A small spot over the note could be a staccato dot, and it was reproduced as such in GE2. In this case, the inaccurate beginning of the slur of A should be interpreted as written with flourish, yet concerning only the 3rd crotchet. According to us, it is still possible that the spot constitutes the beginning of the slur, separated from the following part due to ink stoppage. A abounds in defects of this kind, although they generally do not hamper the interpretation of the composer's intention – cf. e.g. 1st mov., bar 216 or 309, 2nd mov., bar 16. (The mentioned spot can be simply a spot and not be related to the notation of the Concerto at all). In the main text we give a slur from the 2nd crotchet due to: category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Authentic corrections of GE |
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b. 117-120
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur of A cannot correspond to the intention of Chopin, who probably interrupted drawing the slur due to lack of space – due to deletions in the part of the R.H. its final version was written on an adjacent stave, as a result of which its topmost elements already reach the viola part. Moreover, it cannot be excluded that the composer considered the octave sign to be a continuation of the slur (cf. a similar situation in the Etude in E category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , Authentic corrections of FE , Authentic corrections of GE |
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b. 171
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur embracing c3 and a category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions , Authentic corrections of GE |