



Ornaments
b. 70
|
composition: Op. 21, Concerto in F minor, Mvt III
..
It is a very instructive example of how the accumulation of minor inaccuracies of subsequent editions transformed the acciaccatura in A into a regular crotchet in EE (the crotchet in FE is printed in a font of intermediary size, used in the orchestral part). All changes concerning the a category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
||||||||||||||||
b. 428
|
composition: Op. 21, Concerto in F minor, Mvt III
..
We suggest adding an arpeggio mark in the main text, since the arpeggio written in A in bar 428 is, according to us, to be regarded as the model for all analogous bars (including 466 and 468). The wavy lines were added already in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
||||||||||||||||
b. 466
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we suggest adding an arpeggio mark. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
||||||||||||||||
b. 468
|
composition: Op. 21, Concerto in F minor, Mvt III
..
We suggest adding an arpeggio mark in the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
||||||||||||||||
b. 481
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing arpeggio mark in A before the 1st chord in the L.H. is a patent mistake, corrected already in GE (→FE→EE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |