Issues : Authentic corrections of GE
b. 243-244
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composition: Op. 21, Concerto in F minor, Mvt III
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There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A: category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the slur in A is probably Chopin's oversight. The bar is the first one on a new page, and the notation reveals distraction, probably following from haste – there is also no staccato dot under G in this bar and treble clef in the next one. Due to this reason, in the main text we give this slur, although the authenticity of the addition introduced in GE1 remains uncertain. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 257-258
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin embraced this pair of bars with one slur, which he then clearly divided into two, in accordance with the slurring of similar pairs of bars in the three remaining fragments of this movement of the Concerto, built upon similar phrases (bars 177-182, 353-364 and 494-499). The fact that the division was not included in GE (→FE→EE) can be most probably explained by an arbitrary decision of the engraver of GE1. category imprint: Differences between sources issues: Inaccuracies in GE , Authentic corrections of GE , Triplet slurs |
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b. 259-260
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composition: Op. 21, Concerto in F minor, Mvt III
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Chopin wrote only triplet slurs in these bars. A comparison with the previous phrase suggests that it is an inaccuracy, perhaps following from the smorz. and rallent. indications, impeding writing the slurs. Therefore, in the main text we suggest slurs analogous to bars 257-258. The slurs in GE1 (→FE→EE) – the two-bar slur and the distorted triplet one in bar 259 – are probably a result of a revision and inaccuracy respectively (GE2 overlooked the slur in bar 259). category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of GE |
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b. 260
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of in A must be an oversight – it is the last bar on the page in A, which is conducive to various types of inaccuracies of notation. The sign was added already in GE1 (→FE→EE, →GE2), perhaps at Chopin's request. category imprint: Differences between sources |