Issues : Inaccuracies in FE
|
b. 505-506
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A bar 505 is the last one on the page and the slurs in this and the next bar do not fit together – the slur in bar 505, although it does not go beyond the bar line, suggests continuation, whereas in bar 506 a new slur clearly begins. In this situation, the version of GE is most probably a result of Chopin's proofreading, since it seems to be unthinkable that the engraver of GE1 would have interpreted the slurs of the base text in this way on his own initiative. This conclusion is confirmed by the traces of corrections of this slur in print, visible in bar 504, cluster of the slur with the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , EE inaccuracies , Authentic corrections of GE |
|||||||||||
|
b. 506-510
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the Chopinesque notation, the articulation markings placed over the part of the R.H. are binding also for the L.H. in this context. Due to this reason, we give this undoubtedly authentic notation of A in the main text. At the same time, it is consistent, since the passage in bars 503-505 also has a slur only over the R.H. On the other hand, the authenticity of the slurs and dots added in GE1 (→FE→EE) cannot be entirely excluded, since such separate markings for the L.H. were also sometimes used by Chopin. The fact that the markings appear at the beginning of the bar and not from the moment of the R.H. passing to the upper stave suggests, according to us, that the additions were performed by the reviser. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
mark in bar 506 and an earlier ending of the slur in 
