Issues : Authentic corrections of FE
b. 296
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE1 the last note of the triplet is printed a third higher, by mistake, as a b1. The mistake was corrected in FE2, perhaps by Chopin. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 311
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1) naturals are written only before the 1st quaver in the L.H. and the 2nd quaver in the R.H. FE added a before the 4th quaver in the L.H. (possible Chopin's proofreading), whereas GE2 – both necessary naturals in the L.H. It is only EE that includes the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 311
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composition: Op. 21, Concerto in F minor, Mvt III
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The placement of the dynamic marking in FE (→EE1) – before the 2nd triplet in the bar – suggests a mistake. The Chopinesque proofreading entry could have been misinterpreted; it could have been or even if the original was overlooked in the proof copy. In the first case, the composer's intention would be , which we include as an additional possibility. According to us, a possible change of the correctly printed to is highly unlikely. category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 329
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composition: Op. 21, Concerto in F minor, Mvt III
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The sign may be a mistake of the engraver of FE (→EE). However, Chopin's proofreading cannot be entirely excluded: it may be that the composer wanted to prevent the next fragment from being performed without pedal or, which is more likely, he was thinking about a short pedal encompassing the octave leap of the top voice in the R.H. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , No pedal release mark |
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b. 330-331
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composition: Op. 21, Concerto in F minor, Mvt III
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The tie of the b-d1 third is probably a Chopinesque correction, introduced in the proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |