



Rhythm
b. 330-331
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The tie of the b category imprint: Differences between sources issues: Authentic corrections of FE |
|||||
b. 331
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing dots extending the b category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||
b. 335
|
composition: Op. 21, Concerto in F minor, Mvt III
..
For how to understand Chopin's rhythmic notation see bar 27. category imprint: Interpretations within context; Source & stylistic information |
|||||
b. 340-341
|
composition: Op. 21, Concerto in F minor, Mvt III
..
According to us, the most likely explanation of the presence of the tie of f1 in the editions is the engraver of GE1 having mistaken the accent for a tie (other possibility is moving the slur written in A over the top voice under the stave). Chopin did not use any of a few opportunities to extend a common note of chords in the entire Tutti (also in the exposition, bars 16-24). category imprint: Differences between sources issues: Errors in GE |
|||||
b. 344
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The dotted rhythm in A is the original version (cf. analogous bar 20), left here by Chopin, perhaps unintentionally. Therefore, the quavers in GE (→FE→EE) may be a result of Chopin's proofreading, although the absence of visible traces of performing changes in print allows us to consider a possible mistake of the engraver. category imprint: Differences between sources issues: Authentic corrections of GE , Omitted correction of an analogous place |