mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

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b. 340

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text, we add a cautionary  before e2.

category imprint: Editorial revisions

b. 340-341

composition: Op. 21, Concerto in F minor, Mvt III

Slur in A & GE2

No slur in GE1 (→FE→EE)
..

The missing slur over the top voice must be a mistake of GE1 (→FE→EE). However, it may not be a common oversight, but an atypical example of a transfer of sign: a slur was printed under the notes instead of over them, although of the same range, which gave it a form of a tie of f1 (the engraver could have been encouraged to perform such a change by, e.g. lack of space under the notes).  

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 342-344

composition: Op. 21, Concerto in F minor, Mvt III

No marks in sources

Staccato dots suggested by the editors
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We suggest adding staccato signs in a similar context in bars 342 and 344 after the dots in the L.H. in bar 348 written in A.

category imprint: Editorial revisions

b. 343

composition: Op. 21, Concerto in F minor, Mvt III

e2 in A (→GE→FE1→EE)

e2 in FE2
..

In the main text we include the  raising e2 to e2, added by Chopin in the last phase of proofreading of FE2.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 344

composition: Op. 21, Concerto in F minor, Mvt III

Dotted rhythm in A

Quavers in GE (→FE→EE)
..

The dotted rhythm in A is the original version (cf. analogous bar 20), left here by Chopin, perhaps unintentionally. Therefore, the quavers in GE (→FE→EE) may be a result of Chopin's proofreading, although the absence of visible traces of performing changes in print allows us to consider a possible mistake of the engraver.

category imprint: Differences between sources

issues: Authentic corrections of GE , Omitted correction of an analogous place