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Issues : Inaccuracies in GE
b. 171-172
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we reproduce precisely the notation of A, since there is no visible attempt to combine the slur started over the d2 semiquaver – added probably later – with the slur over the triplet. The absence of the first slur in GE1 (→FE→EE) is probably an inaccuracy – the engraver could have not been certain how to reproduce this slur. GE2 repeated here the slur that is present in GE (→FE) in bars 169-170. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 173-174
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composition: Op. 21, Concerto in F minor, Mvt III
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We interpret the imprecise notation of A – in bar 174 there is no ending of the slur started on the previous page, in bar 173 – in the main text as Chopin wrote it in analogous bars 169-170 and 171-172. The absence of the first slur in GE1 (→FE→EE) must be an inaccuracy. GE2 repeated the slur included in GE (→FE) in bars 169-170. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 179
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 201-204
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composition: Op. 21, Concerto in F minor, Mvt III
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Shifting the category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Inaccuracies in GE , No pedal release mark |
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b. 205
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composition: Op. 21, Concerto in F minor, Mvt III
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The In A one can see a deletion of the long accent over the part of the R.H. in this place. Similarly, in bar 207. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Corrections in A , GE revisions |