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Issues : Errors of A
b. 310
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composition: Op. 21, Concerto in F minor, Mvt III
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The natural raising a category imprint: Interpretations within context; Differences between sources issues: Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 313-314
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A |
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b. 329
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composition: Op. 21, Concerto in F minor, Mvt III
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There is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A |
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b. 337-340
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, Chopin did not want these bars to differ from analogous bars 13-16, although there is no corresponding version in any of the sources. The first cause of such a state of affairs was a possible mistake committed by Chopin in A – an unnecessary extension of the line determining the range of the octave sign beyond the 2nd crotchet in bar 337. However, the correction of this error in FE (→EE1) – elimination of the entire octave sign – also removed the characteristic leap to the f3-f4 octave, which, due to its important role in the entire 3rd mov. of the Concerto, could not possibly be intended by Chopin. Therefore, the version of FE is most probably not entirely correct. The situation is even more obscure due to minor, obvious mistakes, e.g. no ending of the octave sign in bar 340 in A (assuming its correctness) and embracing the 1st crotchet in bar 337 in GE1 with the octave sign. In later editions, one of the previous versions was introduced arbitrarily, which does not influence the determination of the text in any way. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in GE , GE revisions , Errors of A , Authentic corrections of FE |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an f1 as the most bottom note of the chord on the 3rd beat of the bar. The mistake was almost certainly committed at the time of writing this fragment in bold type (see the characterization of A) and did not pass to the editions, which suggests that the text was set in bold type already after GE1 had been finished. category imprint: Differences between sources issues: Errors of A |