Pitch
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b. 59
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, there is a visible correction of the middle note of the 2nd crotchet in the R.H. from f2 to e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 59
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions |
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b. 63-64
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composition: Op. 21, Concerto in F minor, Mvt III
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Replacing the single f1 note with an f-f1 octave in FE (→EE) is certainly a change introduced by Chopin – cf. 1st mov., bar 348. However, the same cannot be said of printing this octave with notes of a normal size, in both bars. There had to be a misunderstanding at the time of implementing the proofreading, since adding this octave to the solo part is unimaginable, as far as the logic of the dialogue between the soloist and the orchestra is concerned. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 64-65
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, there is no change of clef to treble in the part of the L.H. before the entrance of the solo piano in bar 65. This patent mistake was rectified in GE, yet the erroneous notation of A is to be found in FE, which suggests that the correction of GE1 was introduced in the last phase of proofreading. EE includes the correct text; the correct clef is written also in FEJ (the carelessly written sign does not allow to identify the person who wrote it; it was probably the owner of the copy, Ludwika Jędrzejewicz). category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Errors of A , Errors repeated in FE |
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b. 65
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composition: Op. 21, Concerto in F minor, Mvt III
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A does not have an octave sign, which is a patent mistake, probably caused by distraction following from the transition into a new page (the bar is the last on the page). The mistake was rectified – perhaps at Chopin's request – already in GE1 (→FE→EE, →GE2). category imprint: Differences between sources issues: Errors of A , Authentic corrections of GE |
2. The correction was certainly introduced after ½A had been completed, which is clearly indicated by different ink and the manner of writing, emphasising the fact of a correction. An identical change, in the same way, was introduced in analogous 
before e
