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b. 293-295
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composition: Op. 21, Concerto in F minor, Mvt III
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We give the category imprint: Differences between sources issues: EE revisions , Scope of dynamic hairpins , GE revisions , Authentic corrections of GE |
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b. 293-299
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE2 accents in the L.H. were added at the beginning of bars 293, 295, 297 and 299. It is a part of a more extensive revision, in which all articulation markings of the R.H. (dots and slurs) were repeated in the L.H. part. category imprint: Differences between sources issues: GE revisions |
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b. 293-297
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur visible in A under the quaver triplet in bars 293 and 297 was most probably overlooked both in GE1 and in GE2 (it is understandable in bar 293, in which the slur blends into the category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Triplet slurs |
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b. 294
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composition: Op. 21, Concerto in F minor, Mvt III
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The wedge over d category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Wedges |
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b. 294
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composition: Op. 21, Concerto in F minor, Mvt III
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The sources include a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals , FE revisions , Last key signature sign |