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b. 262-264
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composition: Op. 21, Concerto in F minor, Mvt III
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In bars 252 and 264, A features clear accents on the second and penultimate quavers; such an accentuation scheme is repeated twice more in analogous bars. Therefore, omission of the 1st accent in bar 264 in GE1 (→FE→EE) must be a mistake. The accents in FE are placed inaccurately, hence in EE they were put a quaver earlier, on the 1st and 7th notes of the bar, which is a mistake. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , EE inaccuracies |
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b. 263
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composition: Op. 21, Concerto in F minor, Mvt III
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FE has an erroneous e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt III
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In A the flats were added in this bar in a visible haste, probably to complement the notation after the notes had been written. The signs before C category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Errors of A |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE1, the topmost note in this bar is an a category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Terzverschreibung error , Authentic corrections of FE |
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b. 268
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |