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Issues : Inaccuracies in A
b. 254-256
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1→FE) there are no flats lowering g2 to g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 257-260
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 260
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composition: Op. 21, Concerto in F minor, Mvt III
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Comparison of the piano part in A (→GE→FE→EE) with the orchestral part of Morch gives rise to the suspicion that there is a mistake, due to a non-simultaneous introduction of an altered fifth of the G It appears at the beginning of the bar in the 2nd violin part and on the 2nd beat of the bar in the R.H. with unchanged d An alternative version suggested by us allows to achieve an even smoother harmonic sound, at the expense of a small modification of rhythm and pedalling. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in A |
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b. 260
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composition: Op. 21, Concerto in F minor, Mvt III
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Looking at the notation of the L.H. in A, one can see that the category imprint: Graphic ambiguousness issues: Inaccuracies in A |
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b. 311
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1) naturals are written only before the 1st quaver in the L.H. and the 2nd quaver in the R.H. FE added a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |