Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt III
Looking at the notation of the L.H. in A, one can see that the 
sign is written under a
1, the 1st note of the triplet on the 2nd beat of the bar, whereas the 
sign under g1, the 2nd note. According to us, Chopin was writing pedal change while looking at the R.H., since the change is undoubtedly related to the appearance of a new trilled note. Due to this reason, we interpret the pedalling of A in the main text in this way.
Compare the passage in the sources »
category imprint: Graphic ambiguousness
issues: Inaccuracies in A
notation: Pedalling
